Drawing from the tradition of vanitas painting, the work reflects on the fleeting nature of life and the quiet fragility of the digital image.
Flowers, long symbols of beauty and inevitable decay are pulled into a state of instability. Color shifts, forms fragment, and the image begins to destabilize, revealing a tension between what feels permanent and what is always on the verge of collapse.
作品試圖建立「花卉生命的短暫性」與「數位影像的脆弱性」之間的對話。
延續16–17世紀虛空畫（Vanitas）對生命消逝的隱喻，花卉不再只是浪漫的象徵，而是在畫面中被拉入一種不穩定的狀態——色彩偏移、結構錯位，使影像呈現出既繁盛卻瀕臨瓦解的張力。
