
Drawing from the tradition of vanitas painting, the work reflects on the fleeting nature of life and the quiet fragility of the digital image. Flowers, long symbols of beauty and inevitable decay are pulled into a state of instability. Color shifts, forms fragment, and the image begins to destabilize, revealing a tension between what feels permanent and what is always on the verge of collapse.
Samantha Chen
Taiwan
Collected Work
This work has been collected.
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