Drawing from the tradition of vanitas painting, the work reflects on the fleeting nature of life and the quiet fragility of the digital image. Flowers, long symbols of beauty and inevitable decay are pulled into a state of instability. Color shifts, forms fragment, and the image begins to destabilize, revealing a tension between what feels permanent and what is always on the verge of collapse.
About the Artist
Taiwan
Working in oil, Chen draws from classical painting while introducing subtle distortions and layered color—shifting familiar forms into something less fixed, more fluid. Her work moves between memory and perception, where each image feels like a quiet conversation shaped by lived experience.
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Collected Work
This work has been collected.
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